“For their acting, harmony, and great musicality, the Three Ladies are superior to any praise we could give them.”
--Asterisco Informazioni, April 2006

“…one takes great pleasure in the …duo of the two Virgins, Liesl Odenweller and Dorothee Wiedmann, deliciously fresh, just as they should be.”
– Anaclase.com, April 2006

“…very attractive and sexy as the maid was Liesl Odenweller...”
-– Il Giornale di Vicenza, 11 June 2005

“...particular praise goes to the soprano, Liesl Odenweller, who has a velvety and intense voice, rich with fascinating colors...”
-– Operaclick, 23 maggio 2005

“…among the outstanding soloists the soprano Liesl Odenweller deserves special attention...”
-– Corrierebit, 20 maggio 2005

“Liesl Odenweller’s…tone is rich and expressive, and her upper range is broad and notes effortlessly reached…. Miss Odenweller [also] has a very good comic flair.”
-- Bedford Gazette, 29 October 2004

“The acoustics…enabled the singer to showcase her virtuosic abilities. The sweet, controlled, animated and fetching soprano voice effortlessly filled the hall with appropriate tone, volume, and nuance. Even those unfamiliar with the languages could easily infer what was being sung.”
-– Recorder Newspapers, 17 November 2004

“Liesl Odenweller’s voice is perhaps a bit more lyric than one is used to hearing as Bastienne, but the color is extremely beautiful, and she has a refreshing inclination toward unabashed expressivity.”
-– Il Giornale di Vicenza, 3 June 2004